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I'm assuming there was discussion of this, which I missed because of my recent "This one goes to 11 (p.m.)" work week, so I hope nobody minds if I just pose this query:

Wha? What the hell happened at the end there? I loved the build up, so the end was totally like a giant balloon deflating for me. Why weren't there any consequences for Joe killing the occupant? Why did any of that actually bring Anna back? How come there was such a stupid non-resolution to the Ruber/Detective Bridgewater plot? Was it just me, or did the guy who played Ruber totally wish he were Gary Oldman? Why wasn't there more Roger Bart, who I enjoyed an insane amount? Are they planning a sequel, or what?

*grumble grumble grouse*

Anyway.

Unrelated: [livejournal.com profile] vassilissa brings the awesome. Or the awesomely terrifying, take your pick.

ETA: [livejournal.com profile] kuwdora brings the other awesome. (Well, she linked to it. *g*) House/Wilson is totally canon, yo! Well, kinda. (Minor S3 spoilers.)

ETA2: Even more awesome via [livejournal.com profile] wychwood. I AM INFAMOUS. And I love [livejournal.com profile] sgastoryfinders.

(no subject)

Date: 2006-12-19 05:19 pm (UTC)
From: [identity profile] aruan.livejournal.com
OK, theory: Let's say the theory that God/supernatural force of some kind caused the creation of the room and the objects and chose the occupant for a destiny.

The original occupant was the one who was shifted out of time and space, whose life was completely changed by whatever happened to create the objects. This didn't happen to Joe when he became the new occupant, because the universe was already sufficiently different for the occupant to do what he was supposed to do.

No, I wasn't completely happy with the end either, but this could work if there was meant to be something more done with the show than just the miniseries. Also, it explains the objects calling to the occupant.

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