Rite of Passage
Nov. 30th, 2005 06:25 pmThere comes a time in every young fangirl's life when, should she still reside amongst the chalk-dust lecture halls and book-dust libraries of academia, she must pick up the mantle and write an academic paper about slash. And for me, brothers and sisters (mostly sisters), that time has come.
Basically what happened was this: my popular literature class had a guest lecturer, Prof. McCarthy. She was giving a talk on Poppy Z. Brite's Exquisite Corpse (which, embarrassingly, I still have not been able to find), and in doing so, she talked about serial killers in both history and literature, and provided us with some great quotes. (One of my favorites, Paul Anthony Woods on Norman Bates: "He registers in our hearts as one of the most loveable sickos of pop culture.") Then she showed us selected postings from the Yahoo!Group JeffreyDahmerClub. If you click on the link, which I do NOT recommend, you'll see some of what she showed us: people (mostly women) talking about how much they love Jeffrey Dahmer, how they feel he was just misunderstood, how hot he is--all very serious and earnest. I was, needless to say, disturbed by this. Especially because one of the first thoughts that entered my mind was: "Jesus, these people must've been on Yahoo!Groups talking about their love for a serial killer at the exact same time I, fresh-faced and 17, was there posting about my love for Spike."
...At which point I would like to take a time out and say: Fuck you, David Fury.
But ANYWAY...just then Prof. McCarthy said something about how both serial killers and their fans exhibit an "obsessive and insatiable" need for more, more, more. And then she brought up slash.
Slash readers and writers--the term was of course defined for the giggling audience, with the inevitable Kirk/Spock example and an increase in giggling--exhibit, said McCarthy, the same need for more of their chosen type of media: more story, more sexual tension, more sex. Brite, not a slash fan, has bemoaned the fact that while "real" writers will work hard to "create real, complex, multidimensional characters with lives that need no 'improvement' by the peanut gallery, all some readers really want is for [the characters] to fall into a huge rutting jizz-drenched scrum" (Fan Nine from Outer Space). Prof. McCarthy didn't specifically disagree with Brite; mostly she just drew the obvious connections between sex and violence, making, IMO, rather too big a deal about the possible violent connotations of the word "slash." I really wasn't quite sure what she was trying to say, actually; but more than that, I was disturbed that my mind had made the leap from Jeffrey Dahmer fandom to our fandom first, and without being prompted.
After the lecture, there was a question and answer period. I debated whether I should say anything--I didn't want to "out" myself to a room full of strangers, and I wasn't sure how to neutrally phrase a question, or even what I wanted to ask. Finally, I raised my hand and mumbled something about how, while I definitely saw the connection between obsessive-compulsive, insatiable behaviour and slash fandom, didn't Prof. McCarthy think it might have less to do with violence, and more to do with (here I stumbled, wanting to say--I think--love) romance novels? You know, the type little old ladies check out from the library, the type with Fabio on the cover? Prof. McCarthy conceded that this might be so. Class dismissed.
I left unsatisfied. I thought about just going home and writing a bitchy, dismissive post about how we are NOT like that. Yet I was still bothered by the fact that my brain had made the connection first. And what are we, if not obsessive and insatiable? What does that make us--serial readers? Serial writers? Why do we do what we do?
So I went to Dr. Jones' office hours and outed myself as a slasher.
The meeting began less than promisingly, as he greeted me by saying, "Aren't you the student that asked the question about Fabio?" I admitted that I was, and that yes, I am from Berkeley, and that yes (feeling quite the stereotype), I would like to talk more about the gay porn, please.
Dr. Jones said he was "fascinated by this phenomenon known as 'slash.'" I said I was quite an expert, but that the lecture that morning had made me think about why we did it--why I did it. One of our class' essay titles is "Write an essay on why you think formulaic writing is so popular"--could I, I inquired, write an essay about slash?
His response was enthusiastic. Very enthusiastic. Did I mention that I rather adore him? I do, I do.
Anyway, he introduced me to Prof. Silver, whom he called "the university's resident slash expert." Unfortunately, this is not an actual tenured position--too bad, 'cause nice as Prof. Silver was, I could totally have beaten her out for it. She really didn't know much about internet fandom at all, but she gave me a great book--Constance Penley's NASA/TREK, which I highly recommend, despite the fact that it's old and thus deals mostly with 'zines--and even better, a lot of encouragement. In return, I gave her links to some classic fandom stuff--she'd never heard of the Very Secret Diaries! *gasp*--and, when pressed, some of my own stories. (Yikes!) When I come out, I come out hard--bringing the clothes, the hangers, and the dust bunnies with me.
So now--
The short version: I now have just over a weak to write a paper about Why We Slash. I think I can pull together the more academic, sociological sources, but for the rest, I need your help. I want this paper to be different from other writings about slash and fandom: I'm not going to distance myself; rather, I'm going to get permission to write in the first person and include myself in the analysis. I don't want to be yet another judgmental outsider looking in (or down) on "this phenomenon known as slash"; I'm a part of it, I'm not going to deny it, and that gives me a unique perspective.
But I need other people's perspectives--other people's insights--too. So, fellow fandom folks: if you could take the time to answer the following questions, I would be deeply appreciative.
1. What do you get out of a) fanfiction in general and/or genfic; b) romantic, 'shipper fic, regardless of the genders and sexualities of the participants; and c) slash fic, especially m/m slash?
2. How does what you derive from all of these things differ a) from each other; b) from the source material; and c) from real life?
3. If you're a writer as well as a reader, do you derive a different sort of experience from writing than from reading? How do the two compare? (If you're a vidder or artist, please feel free to talk about that, too.)
4. What were your primary reasons for entering fandom--specifically slash fandom? What are your reasons for staying?
5. Why do you think slash fandom and slash fiction are the phenomena that they are?
If you want to provide info about age, gender, sexual preference, when you entered fandom or how long you've been in it, it would be interesting and useful, but obviously, I don't want to make anyone feel uncomfortable. With that in mind, anyone who'd prefer to take this out of a public forum can also e-mail me at kaufmaa@tcd.ie . You can also comment anonymously, though I'd appreciate it if you could provide me with some sort of alias in case I choose to quote you.
With that in mind: unless you tell me otherwise, any quotes I pull will be attributed to your LJ username (minus the LJ distinction, of course.) So if I were quoting myself, I might say: "'I'm in it for the porn, baby!' said one writer, trinityofone. 'Porn, porn, porn--that's what the internet is for!'"* If you'd prefer to be quoted under a different name, just tell me what it is. But don't get too panicky: this paper will most likely be seen by no one other than Dr. Jones, Prof. McCarthy, Prof. Silver, and myself. And we're all very discreet. ;-)
Finally, PLEASE SPREAD THE WORD. Which is to say: the red light is on, I have multiple varieties of condoms (some are flavored!), but right now I'm all by my lonesome, so I need you to pimp, pimp, pimp. Also, if anyone knows of any communities where I might be able to rustle up some participants, that'd be fab.
So in conclusion: let me know if you have any questions, and thanks in advance!
*Actually, I read slash for the articles. 'The' is a good one; so's 'a.' ...And after that display of dorkery, we're all going to pretend this footnote doesn't exist.
Basically what happened was this: my popular literature class had a guest lecturer, Prof. McCarthy. She was giving a talk on Poppy Z. Brite's Exquisite Corpse (which, embarrassingly, I still have not been able to find), and in doing so, she talked about serial killers in both history and literature, and provided us with some great quotes. (One of my favorites, Paul Anthony Woods on Norman Bates: "He registers in our hearts as one of the most loveable sickos of pop culture.") Then she showed us selected postings from the Yahoo!Group JeffreyDahmerClub. If you click on the link, which I do NOT recommend, you'll see some of what she showed us: people (mostly women) talking about how much they love Jeffrey Dahmer, how they feel he was just misunderstood, how hot he is--all very serious and earnest. I was, needless to say, disturbed by this. Especially because one of the first thoughts that entered my mind was: "Jesus, these people must've been on Yahoo!Groups talking about their love for a serial killer at the exact same time I, fresh-faced and 17, was there posting about my love for Spike."
...At which point I would like to take a time out and say: Fuck you, David Fury.
But ANYWAY...just then Prof. McCarthy said something about how both serial killers and their fans exhibit an "obsessive and insatiable" need for more, more, more. And then she brought up slash.
Slash readers and writers--the term was of course defined for the giggling audience, with the inevitable Kirk/Spock example and an increase in giggling--exhibit, said McCarthy, the same need for more of their chosen type of media: more story, more sexual tension, more sex. Brite, not a slash fan, has bemoaned the fact that while "real" writers will work hard to "create real, complex, multidimensional characters with lives that need no 'improvement' by the peanut gallery, all some readers really want is for [the characters] to fall into a huge rutting jizz-drenched scrum" (Fan Nine from Outer Space). Prof. McCarthy didn't specifically disagree with Brite; mostly she just drew the obvious connections between sex and violence, making, IMO, rather too big a deal about the possible violent connotations of the word "slash." I really wasn't quite sure what she was trying to say, actually; but more than that, I was disturbed that my mind had made the leap from Jeffrey Dahmer fandom to our fandom first, and without being prompted.
After the lecture, there was a question and answer period. I debated whether I should say anything--I didn't want to "out" myself to a room full of strangers, and I wasn't sure how to neutrally phrase a question, or even what I wanted to ask. Finally, I raised my hand and mumbled something about how, while I definitely saw the connection between obsessive-compulsive, insatiable behaviour and slash fandom, didn't Prof. McCarthy think it might have less to do with violence, and more to do with (here I stumbled, wanting to say--I think--love) romance novels? You know, the type little old ladies check out from the library, the type with Fabio on the cover? Prof. McCarthy conceded that this might be so. Class dismissed.
I left unsatisfied. I thought about just going home and writing a bitchy, dismissive post about how we are NOT like that. Yet I was still bothered by the fact that my brain had made the connection first. And what are we, if not obsessive and insatiable? What does that make us--serial readers? Serial writers? Why do we do what we do?
So I went to Dr. Jones' office hours and outed myself as a slasher.
The meeting began less than promisingly, as he greeted me by saying, "Aren't you the student that asked the question about Fabio?" I admitted that I was, and that yes, I am from Berkeley, and that yes (feeling quite the stereotype), I would like to talk more about the gay porn, please.
Dr. Jones said he was "fascinated by this phenomenon known as 'slash.'" I said I was quite an expert, but that the lecture that morning had made me think about why we did it--why I did it. One of our class' essay titles is "Write an essay on why you think formulaic writing is so popular"--could I, I inquired, write an essay about slash?
His response was enthusiastic. Very enthusiastic. Did I mention that I rather adore him? I do, I do.
Anyway, he introduced me to Prof. Silver, whom he called "the university's resident slash expert." Unfortunately, this is not an actual tenured position--too bad, 'cause nice as Prof. Silver was, I could totally have beaten her out for it. She really didn't know much about internet fandom at all, but she gave me a great book--Constance Penley's NASA/TREK, which I highly recommend, despite the fact that it's old and thus deals mostly with 'zines--and even better, a lot of encouragement. In return, I gave her links to some classic fandom stuff--she'd never heard of the Very Secret Diaries! *gasp*--and, when pressed, some of my own stories. (Yikes!) When I come out, I come out hard--bringing the clothes, the hangers, and the dust bunnies with me.
So now--
The short version: I now have just over a weak to write a paper about Why We Slash. I think I can pull together the more academic, sociological sources, but for the rest, I need your help. I want this paper to be different from other writings about slash and fandom: I'm not going to distance myself; rather, I'm going to get permission to write in the first person and include myself in the analysis. I don't want to be yet another judgmental outsider looking in (or down) on "this phenomenon known as slash"; I'm a part of it, I'm not going to deny it, and that gives me a unique perspective.
But I need other people's perspectives--other people's insights--too. So, fellow fandom folks: if you could take the time to answer the following questions, I would be deeply appreciative.
1. What do you get out of a) fanfiction in general and/or genfic; b) romantic, 'shipper fic, regardless of the genders and sexualities of the participants; and c) slash fic, especially m/m slash?
2. How does what you derive from all of these things differ a) from each other; b) from the source material; and c) from real life?
3. If you're a writer as well as a reader, do you derive a different sort of experience from writing than from reading? How do the two compare? (If you're a vidder or artist, please feel free to talk about that, too.)
4. What were your primary reasons for entering fandom--specifically slash fandom? What are your reasons for staying?
5. Why do you think slash fandom and slash fiction are the phenomena that they are?
If you want to provide info about age, gender, sexual preference, when you entered fandom or how long you've been in it, it would be interesting and useful, but obviously, I don't want to make anyone feel uncomfortable. With that in mind, anyone who'd prefer to take this out of a public forum can also e-mail me at kaufmaa@tcd.ie . You can also comment anonymously, though I'd appreciate it if you could provide me with some sort of alias in case I choose to quote you.
With that in mind: unless you tell me otherwise, any quotes I pull will be attributed to your LJ username (minus the LJ distinction, of course.) So if I were quoting myself, I might say: "'I'm in it for the porn, baby!' said one writer, trinityofone. 'Porn, porn, porn--that's what the internet is for!'"* If you'd prefer to be quoted under a different name, just tell me what it is. But don't get too panicky: this paper will most likely be seen by no one other than Dr. Jones, Prof. McCarthy, Prof. Silver, and myself. And we're all very discreet. ;-)
Finally, PLEASE SPREAD THE WORD. Which is to say: the red light is on, I have multiple varieties of condoms (some are flavored!), but right now I'm all by my lonesome, so I need you to pimp, pimp, pimp. Also, if anyone knows of any communities where I might be able to rustle up some participants, that'd be fab.
So in conclusion: let me know if you have any questions, and thanks in advance!
*Actually, I read slash for the articles. 'The' is a good one; so's 'a.' ...And after that display of dorkery, we're all going to pretend this footnote doesn't exist.
(no subject)
Date: 2005-12-01 01:16 am (UTC)Mmmmm... Tasty tasty slash. So very many reasons to love it. Again, I am using the "same sex love or sex" definition of slash.
For one thing, I'm gay. Therefore, it isn't surprising that same sex interaction and love is inherently interesting to me. Straight love and sex isn't unappealing - there just isn't any lack of it out there. Slash is wonderful stuff when I really just want to read something a little gay (or bi). Nonstop heterosexuality in fiction just gets cloying after a while. Hooray, nature wants you to have babies! Good for you. Now, where can I get a bite of slash around here?
Despite the name, slash isn't a particularly violent sort of fan fiction. Gen fic actually tends to be a little more violent, because of a higher percentage of action driven plots and a higher percentage of hurt comfort. If you want to show characters sharing an emotionally bonding experience, and romance and/or sex are options, suddenly characters suffering a grievous wound and being fed soup are less ubiquitous.
Sometimes, intentionally or unintentionally, characters in source material set off gaydar. Simon Tam of "Firefly", for example, does not appear to be a straight man given his actions, reactions, and behavior. I would like to read him as straight, because then his relationship with a woman in "Serenity" would be a happy ending. However, he simply doesn't read, to me, as straight, no matter how much I would want it to be the case for his case. Instead, he seems to be a lonely man trying to make the best of a bad lot. Is it any wonder I would prefer to read fiction where he is in a relationship that seems more believably happy and satisfying for the character? Some characters simply do not appear to me to be straight.
Sometimes, while on their own, characters might be easily assumed to be straight, they do not react to other specific characters in a seemingly straight fashion. You look at a relationship between two characters and say "There is no straight reading of that scene". Even if the characters are primarily interested in the opposite sex, there appears to be a strong romantic or sexual tension between the two characters which, once seen, a viewer might find impossible to ignore. If the particular characters or chemistry interests you, you might want to read or write about it, even if it is never further explored in the source material.
Often, you can read a character or a relationship either way. They could be straight. It could be platonic. Indeed, in the source material, it is almost certainly intended that way. That interpretation is cool and often slashers like myself enjoy gen and het fics based on that interpretation. At the same time, however, there is an appealing and alternate slashy reading because the characters or the relationships are sufficiently ambiguous to at least allow for theoretical future same sex attraction or romance. Sure, the straight interpretation is more likely, but the gay one is also fun and there's no reason not to enjoy playing with it.
(Part C Continues)