Rite of Passage
Nov. 30th, 2005 06:25 pmThere comes a time in every young fangirl's life when, should she still reside amongst the chalk-dust lecture halls and book-dust libraries of academia, she must pick up the mantle and write an academic paper about slash. And for me, brothers and sisters (mostly sisters), that time has come.
Basically what happened was this: my popular literature class had a guest lecturer, Prof. McCarthy. She was giving a talk on Poppy Z. Brite's Exquisite Corpse (which, embarrassingly, I still have not been able to find), and in doing so, she talked about serial killers in both history and literature, and provided us with some great quotes. (One of my favorites, Paul Anthony Woods on Norman Bates: "He registers in our hearts as one of the most loveable sickos of pop culture.") Then she showed us selected postings from the Yahoo!Group JeffreyDahmerClub. If you click on the link, which I do NOT recommend, you'll see some of what she showed us: people (mostly women) talking about how much they love Jeffrey Dahmer, how they feel he was just misunderstood, how hot he is--all very serious and earnest. I was, needless to say, disturbed by this. Especially because one of the first thoughts that entered my mind was: "Jesus, these people must've been on Yahoo!Groups talking about their love for a serial killer at the exact same time I, fresh-faced and 17, was there posting about my love for Spike."
...At which point I would like to take a time out and say: Fuck you, David Fury.
But ANYWAY...just then Prof. McCarthy said something about how both serial killers and their fans exhibit an "obsessive and insatiable" need for more, more, more. And then she brought up slash.
Slash readers and writers--the term was of course defined for the giggling audience, with the inevitable Kirk/Spock example and an increase in giggling--exhibit, said McCarthy, the same need for more of their chosen type of media: more story, more sexual tension, more sex. Brite, not a slash fan, has bemoaned the fact that while "real" writers will work hard to "create real, complex, multidimensional characters with lives that need no 'improvement' by the peanut gallery, all some readers really want is for [the characters] to fall into a huge rutting jizz-drenched scrum" (Fan Nine from Outer Space). Prof. McCarthy didn't specifically disagree with Brite; mostly she just drew the obvious connections between sex and violence, making, IMO, rather too big a deal about the possible violent connotations of the word "slash." I really wasn't quite sure what she was trying to say, actually; but more than that, I was disturbed that my mind had made the leap from Jeffrey Dahmer fandom to our fandom first, and without being prompted.
After the lecture, there was a question and answer period. I debated whether I should say anything--I didn't want to "out" myself to a room full of strangers, and I wasn't sure how to neutrally phrase a question, or even what I wanted to ask. Finally, I raised my hand and mumbled something about how, while I definitely saw the connection between obsessive-compulsive, insatiable behaviour and slash fandom, didn't Prof. McCarthy think it might have less to do with violence, and more to do with (here I stumbled, wanting to say--I think--love) romance novels? You know, the type little old ladies check out from the library, the type with Fabio on the cover? Prof. McCarthy conceded that this might be so. Class dismissed.
I left unsatisfied. I thought about just going home and writing a bitchy, dismissive post about how we are NOT like that. Yet I was still bothered by the fact that my brain had made the connection first. And what are we, if not obsessive and insatiable? What does that make us--serial readers? Serial writers? Why do we do what we do?
So I went to Dr. Jones' office hours and outed myself as a slasher.
The meeting began less than promisingly, as he greeted me by saying, "Aren't you the student that asked the question about Fabio?" I admitted that I was, and that yes, I am from Berkeley, and that yes (feeling quite the stereotype), I would like to talk more about the gay porn, please.
Dr. Jones said he was "fascinated by this phenomenon known as 'slash.'" I said I was quite an expert, but that the lecture that morning had made me think about why we did it--why I did it. One of our class' essay titles is "Write an essay on why you think formulaic writing is so popular"--could I, I inquired, write an essay about slash?
His response was enthusiastic. Very enthusiastic. Did I mention that I rather adore him? I do, I do.
Anyway, he introduced me to Prof. Silver, whom he called "the university's resident slash expert." Unfortunately, this is not an actual tenured position--too bad, 'cause nice as Prof. Silver was, I could totally have beaten her out for it. She really didn't know much about internet fandom at all, but she gave me a great book--Constance Penley's NASA/TREK, which I highly recommend, despite the fact that it's old and thus deals mostly with 'zines--and even better, a lot of encouragement. In return, I gave her links to some classic fandom stuff--she'd never heard of the Very Secret Diaries! *gasp*--and, when pressed, some of my own stories. (Yikes!) When I come out, I come out hard--bringing the clothes, the hangers, and the dust bunnies with me.
So now--
The short version: I now have just over a weak to write a paper about Why We Slash. I think I can pull together the more academic, sociological sources, but for the rest, I need your help. I want this paper to be different from other writings about slash and fandom: I'm not going to distance myself; rather, I'm going to get permission to write in the first person and include myself in the analysis. I don't want to be yet another judgmental outsider looking in (or down) on "this phenomenon known as slash"; I'm a part of it, I'm not going to deny it, and that gives me a unique perspective.
But I need other people's perspectives--other people's insights--too. So, fellow fandom folks: if you could take the time to answer the following questions, I would be deeply appreciative.
1. What do you get out of a) fanfiction in general and/or genfic; b) romantic, 'shipper fic, regardless of the genders and sexualities of the participants; and c) slash fic, especially m/m slash?
2. How does what you derive from all of these things differ a) from each other; b) from the source material; and c) from real life?
3. If you're a writer as well as a reader, do you derive a different sort of experience from writing than from reading? How do the two compare? (If you're a vidder or artist, please feel free to talk about that, too.)
4. What were your primary reasons for entering fandom--specifically slash fandom? What are your reasons for staying?
5. Why do you think slash fandom and slash fiction are the phenomena that they are?
If you want to provide info about age, gender, sexual preference, when you entered fandom or how long you've been in it, it would be interesting and useful, but obviously, I don't want to make anyone feel uncomfortable. With that in mind, anyone who'd prefer to take this out of a public forum can also e-mail me at kaufmaa@tcd.ie . You can also comment anonymously, though I'd appreciate it if you could provide me with some sort of alias in case I choose to quote you.
With that in mind: unless you tell me otherwise, any quotes I pull will be attributed to your LJ username (minus the LJ distinction, of course.) So if I were quoting myself, I might say: "'I'm in it for the porn, baby!' said one writer, trinityofone. 'Porn, porn, porn--that's what the internet is for!'"* If you'd prefer to be quoted under a different name, just tell me what it is. But don't get too panicky: this paper will most likely be seen by no one other than Dr. Jones, Prof. McCarthy, Prof. Silver, and myself. And we're all very discreet. ;-)
Finally, PLEASE SPREAD THE WORD. Which is to say: the red light is on, I have multiple varieties of condoms (some are flavored!), but right now I'm all by my lonesome, so I need you to pimp, pimp, pimp. Also, if anyone knows of any communities where I might be able to rustle up some participants, that'd be fab.
So in conclusion: let me know if you have any questions, and thanks in advance!
*Actually, I read slash for the articles. 'The' is a good one; so's 'a.' ...And after that display of dorkery, we're all going to pretend this footnote doesn't exist.
Basically what happened was this: my popular literature class had a guest lecturer, Prof. McCarthy. She was giving a talk on Poppy Z. Brite's Exquisite Corpse (which, embarrassingly, I still have not been able to find), and in doing so, she talked about serial killers in both history and literature, and provided us with some great quotes. (One of my favorites, Paul Anthony Woods on Norman Bates: "He registers in our hearts as one of the most loveable sickos of pop culture.") Then she showed us selected postings from the Yahoo!Group JeffreyDahmerClub. If you click on the link, which I do NOT recommend, you'll see some of what she showed us: people (mostly women) talking about how much they love Jeffrey Dahmer, how they feel he was just misunderstood, how hot he is--all very serious and earnest. I was, needless to say, disturbed by this. Especially because one of the first thoughts that entered my mind was: "Jesus, these people must've been on Yahoo!Groups talking about their love for a serial killer at the exact same time I, fresh-faced and 17, was there posting about my love for Spike."
...At which point I would like to take a time out and say: Fuck you, David Fury.
But ANYWAY...just then Prof. McCarthy said something about how both serial killers and their fans exhibit an "obsessive and insatiable" need for more, more, more. And then she brought up slash.
Slash readers and writers--the term was of course defined for the giggling audience, with the inevitable Kirk/Spock example and an increase in giggling--exhibit, said McCarthy, the same need for more of their chosen type of media: more story, more sexual tension, more sex. Brite, not a slash fan, has bemoaned the fact that while "real" writers will work hard to "create real, complex, multidimensional characters with lives that need no 'improvement' by the peanut gallery, all some readers really want is for [the characters] to fall into a huge rutting jizz-drenched scrum" (Fan Nine from Outer Space). Prof. McCarthy didn't specifically disagree with Brite; mostly she just drew the obvious connections between sex and violence, making, IMO, rather too big a deal about the possible violent connotations of the word "slash." I really wasn't quite sure what she was trying to say, actually; but more than that, I was disturbed that my mind had made the leap from Jeffrey Dahmer fandom to our fandom first, and without being prompted.
After the lecture, there was a question and answer period. I debated whether I should say anything--I didn't want to "out" myself to a room full of strangers, and I wasn't sure how to neutrally phrase a question, or even what I wanted to ask. Finally, I raised my hand and mumbled something about how, while I definitely saw the connection between obsessive-compulsive, insatiable behaviour and slash fandom, didn't Prof. McCarthy think it might have less to do with violence, and more to do with (here I stumbled, wanting to say--I think--love) romance novels? You know, the type little old ladies check out from the library, the type with Fabio on the cover? Prof. McCarthy conceded that this might be so. Class dismissed.
I left unsatisfied. I thought about just going home and writing a bitchy, dismissive post about how we are NOT like that. Yet I was still bothered by the fact that my brain had made the connection first. And what are we, if not obsessive and insatiable? What does that make us--serial readers? Serial writers? Why do we do what we do?
So I went to Dr. Jones' office hours and outed myself as a slasher.
The meeting began less than promisingly, as he greeted me by saying, "Aren't you the student that asked the question about Fabio?" I admitted that I was, and that yes, I am from Berkeley, and that yes (feeling quite the stereotype), I would like to talk more about the gay porn, please.
Dr. Jones said he was "fascinated by this phenomenon known as 'slash.'" I said I was quite an expert, but that the lecture that morning had made me think about why we did it--why I did it. One of our class' essay titles is "Write an essay on why you think formulaic writing is so popular"--could I, I inquired, write an essay about slash?
His response was enthusiastic. Very enthusiastic. Did I mention that I rather adore him? I do, I do.
Anyway, he introduced me to Prof. Silver, whom he called "the university's resident slash expert." Unfortunately, this is not an actual tenured position--too bad, 'cause nice as Prof. Silver was, I could totally have beaten her out for it. She really didn't know much about internet fandom at all, but she gave me a great book--Constance Penley's NASA/TREK, which I highly recommend, despite the fact that it's old and thus deals mostly with 'zines--and even better, a lot of encouragement. In return, I gave her links to some classic fandom stuff--she'd never heard of the Very Secret Diaries! *gasp*--and, when pressed, some of my own stories. (Yikes!) When I come out, I come out hard--bringing the clothes, the hangers, and the dust bunnies with me.
So now--
The short version: I now have just over a weak to write a paper about Why We Slash. I think I can pull together the more academic, sociological sources, but for the rest, I need your help. I want this paper to be different from other writings about slash and fandom: I'm not going to distance myself; rather, I'm going to get permission to write in the first person and include myself in the analysis. I don't want to be yet another judgmental outsider looking in (or down) on "this phenomenon known as slash"; I'm a part of it, I'm not going to deny it, and that gives me a unique perspective.
But I need other people's perspectives--other people's insights--too. So, fellow fandom folks: if you could take the time to answer the following questions, I would be deeply appreciative.
1. What do you get out of a) fanfiction in general and/or genfic; b) romantic, 'shipper fic, regardless of the genders and sexualities of the participants; and c) slash fic, especially m/m slash?
2. How does what you derive from all of these things differ a) from each other; b) from the source material; and c) from real life?
3. If you're a writer as well as a reader, do you derive a different sort of experience from writing than from reading? How do the two compare? (If you're a vidder or artist, please feel free to talk about that, too.)
4. What were your primary reasons for entering fandom--specifically slash fandom? What are your reasons for staying?
5. Why do you think slash fandom and slash fiction are the phenomena that they are?
If you want to provide info about age, gender, sexual preference, when you entered fandom or how long you've been in it, it would be interesting and useful, but obviously, I don't want to make anyone feel uncomfortable. With that in mind, anyone who'd prefer to take this out of a public forum can also e-mail me at kaufmaa@tcd.ie . You can also comment anonymously, though I'd appreciate it if you could provide me with some sort of alias in case I choose to quote you.
With that in mind: unless you tell me otherwise, any quotes I pull will be attributed to your LJ username (minus the LJ distinction, of course.) So if I were quoting myself, I might say: "'I'm in it for the porn, baby!' said one writer, trinityofone. 'Porn, porn, porn--that's what the internet is for!'"* If you'd prefer to be quoted under a different name, just tell me what it is. But don't get too panicky: this paper will most likely be seen by no one other than Dr. Jones, Prof. McCarthy, Prof. Silver, and myself. And we're all very discreet. ;-)
Finally, PLEASE SPREAD THE WORD. Which is to say: the red light is on, I have multiple varieties of condoms (some are flavored!), but right now I'm all by my lonesome, so I need you to pimp, pimp, pimp. Also, if anyone knows of any communities where I might be able to rustle up some participants, that'd be fab.
So in conclusion: let me know if you have any questions, and thanks in advance!
*Actually, I read slash for the articles. 'The' is a good one; so's 'a.' ...And after that display of dorkery, we're all going to pretend this footnote doesn't exist.
Part 1
Date: 2005-12-01 11:11 pm (UTC)1. What do you get out of a) fanfiction in general and/or genfic;
I get to play more in the world. I can't just read a book or watch a show and merely take what's presented to me and go no further - my brain just doesn't work that way. When I was little I play-acted Star Wars or Teenage Mutant Ninja Turtles, and as I grew up I just... never lost that. I still want to play and add new stories to my favourite shiny of the week, it's just that I don't do it outside playing dress-up anymore.
I'm completely incapable of passively listening to a story - my brain wants to actively play with it. And so I do fanfic.
b) romantic, 'shipper fic, regardless of the genders and sexualities of the participants;
One of the things rarely explored in a fashion that I enjoy in sources I enjoy, is romance - at least not long term, loving romance where people aren't off shagging other people for drama every 3rd episode. And so, I add romance to it.
When I was younger, in junior high, I read a lot of romance novels. And I enjoyed them, but I always felt that they were missing something - and once I hit fandom, I figured out what that was. They were missing the friendship and the sense that these people liked each other for any other reason that sex. Take the sex out of most mainstream romance novels, and you're left with a pretty boring story and one-dimensional characters. Whereas most romancefic, it's the other way around - the sex is an afterthought, it's just another way to add to these two character's relationship. The story would often be just as fulfilling if there was no sex in it at all.
And that's far more interesting mainstream romance novels.
c) slash fic, especially m/m slash?
I really, really like relationships that start out of and come from a very buddy-like relationship. I want best friends first, lovers later. I want banter and equality and whapping each other over the head when they're being an idiot.
And that? Nine times out of ten, if you go looking for that type of relationship in a media source, it's going to be between two men. And so I slash.
...also, slash writers are some of the best porn writers I have ever seen - far better than a good lot of published erotica writers. If there's one thing slash fandom is, it's a big, huge, writing workshop on "how to write good porn".
2. How does what you derive from all of these things differ a) from each other;
Gen is obviously different from romance fic in that it's closer to the source material, generally, but other than that I have nothing here.
b) from the source material;
Most shows that develop large, fanfic based fandoms are either buddy cop shows (Starsky and Hutch, The Sentinel, Due South, Man from U.N.C.L.E.) or science fiction (Star Trek, Stargate, Star Wars, Highlander, X-Files, Smallville), and I don't think it's a coincidence that both those genres are generally aimed towards a male demographic. Whether it's true or not, people aiming for a male demographic generally assume that men don't want to see any sort of relationships - they want to see things get shot at and blown up.
And so fanfic comes and adds the relationships back in, be they romantic or platonic. Fanfic gives me a depth that I don't always find in the source material. I want to now why, but the source just wants to show me what.
c) from real life?
Fanfic is, at its heart, escapist fantasy. So it gives me escapist fantasy. *g*
3. If you're a writer as well as a reader, do you derive a different sort of experience from writing than from reading? How do the two compare? (If you're a vidder or artist, please feel free to talk about that, too.)
N/A
...er, continued in part 2 (stupid comment limits).
Part 2
Date: 2005-12-01 11:12 pm (UTC)4. What were your primary reasons for entering fandom--specifically slash fandom? What are your reasons for staying?
Like I said earlier, I can't passively take in a story, like the powers that be want me to. I can't just sit there, be told a story in one way, and never wonder why, what happened next, what if this thing changed, what happened between, or what was that guy thinking. I want more. I want to actively make that story my own, and so I entered fandom.
I entered slash fandom, originally, because I watched the show "The Sentinel", and saw, so very clearly, the relationship between Jim and Blair, and I needed to play with that, I needed to make it clear. I wanted to know more about it, and I wanted to see it from all sorts of different angles.
As to why I'm still here?
Well, it's a hell of a lot of fun. *g*
5. Why do you think slash fandom and slash fiction are the phenomena that they are?
Slash fandom is, I think, pretty much the only place you can get a very specific sort of story. They're romance novels, but they often have a plot behind them. They have well defined characters. They have relationships based either in friendship or intense hatred - but there's always a base to build on. And they're between two men, and don't have traditional gender roles.
Nowhere in mainstream media can you find that type of story. There's no cop show where the partners become best friends and then fall in love, all while still bringing in the bad guys; there's no science fiction series where the deep trust between a leader and his second in command turns into romance, all while they're still fighting the aliens; and there are very few romance novels that start out with people who have known each other for a long time and then fall in love - at least, not ones where the people don't immediately fall into traditional gender roles and lose what equality they previously had.
Slash fills a void that I don't think the mainstream media even knows is there.
Re: Part 2
Date: 2005-12-04 12:09 am (UTC)I want banter and equality and whapping each other over the head when they're being an idiot.
This made me smile. That's my boys! Also, your mom sounds awesome. *g*
Slash fills a void that I don't think the mainstream media even knows is there.
The mainstream media is full of idiots. Do they have any idea what I would give to see one of the narratives you describe actually played out on screen? (A kidney. Possibly two.) I'm still waiting for the day a bunch of fandom people infiltrate Hollywood--it's gonna happen, I firmly believe that. Even if I have to do it myself.