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There comes a time in every young fangirl's life when, should she still reside amongst the chalk-dust lecture halls and book-dust libraries of academia, she must pick up the mantle and write an academic paper about slash. And for me, brothers and sisters (mostly sisters), that time has come.

Basically what happened was this: my popular literature class had a guest lecturer, Prof. McCarthy. She was giving a talk on Poppy Z. Brite's Exquisite Corpse (which, embarrassingly, I still have not been able to find), and in doing so, she talked about serial killers in both history and literature, and provided us with some great quotes. (One of my favorites, Paul Anthony Woods on Norman Bates: "He registers in our hearts as one of the most loveable sickos of pop culture.") Then she showed us selected postings from the Yahoo!Group JeffreyDahmerClub. If you click on the link, which I do NOT recommend, you'll see some of what she showed us: people (mostly women) talking about how much they love Jeffrey Dahmer, how they feel he was just misunderstood, how hot he is--all very serious and earnest. I was, needless to say, disturbed by this. Especially because one of the first thoughts that entered my mind was: "Jesus, these people must've been on Yahoo!Groups talking about their love for a serial killer at the exact same time I, fresh-faced and 17, was there posting about my love for Spike."

...At which point I would like to take a time out and say: Fuck you, David Fury.

But ANYWAY...just then Prof. McCarthy said something about how both serial killers and their fans exhibit an "obsessive and insatiable" need for more, more, more. And then she brought up slash.

Slash readers and writers--the term was of course defined for the giggling audience, with the inevitable Kirk/Spock example and an increase in giggling--exhibit, said McCarthy, the same need for more of their chosen type of media: more story, more sexual tension, more sex. Brite, not a slash fan, has bemoaned the fact that while "real" writers will work hard to "create real, complex, multidimensional characters with lives that need no 'improvement' by the peanut gallery, all some readers really want is for [the characters] to fall into a huge rutting jizz-drenched scrum" (Fan Nine from Outer Space). Prof. McCarthy didn't specifically disagree with Brite; mostly she just drew the obvious connections between sex and violence, making, IMO, rather too big a deal about the possible violent connotations of the word "slash." I really wasn't quite sure what she was trying to say, actually; but more than that, I was disturbed that my mind had made the leap from Jeffrey Dahmer fandom to our fandom first, and without being prompted.

After the lecture, there was a question and answer period. I debated whether I should say anything--I didn't want to "out" myself to a room full of strangers, and I wasn't sure how to neutrally phrase a question, or even what I wanted to ask. Finally, I raised my hand and mumbled something about how, while I definitely saw the connection between obsessive-compulsive, insatiable behaviour and slash fandom, didn't Prof. McCarthy think it might have less to do with violence, and more to do with (here I stumbled, wanting to say--I think--love) romance novels? You know, the type little old ladies check out from the library, the type with Fabio on the cover? Prof. McCarthy conceded that this might be so. Class dismissed.

I left unsatisfied. I thought about just going home and writing a bitchy, dismissive post about how we are NOT like that. Yet I was still bothered by the fact that my brain had made the connection first. And what are we, if not obsessive and insatiable? What does that make us--serial readers? Serial writers? Why do we do what we do?

So I went to Dr. Jones' office hours and outed myself as a slasher.

The meeting began less than promisingly, as he greeted me by saying, "Aren't you the student that asked the question about Fabio?" I admitted that I was, and that yes, I am from Berkeley, and that yes (feeling quite the stereotype), I would like to talk more about the gay porn, please.

Dr. Jones said he was "fascinated by this phenomenon known as 'slash.'" I said I was quite an expert, but that the lecture that morning had made me think about why we did it--why I did it. One of our class' essay titles is "Write an essay on why you think formulaic writing is so popular"--could I, I inquired, write an essay about slash?

His response was enthusiastic. Very enthusiastic. Did I mention that I rather adore him? I do, I do.

Anyway, he introduced me to Prof. Silver, whom he called "the university's resident slash expert." Unfortunately, this is not an actual tenured position--too bad, 'cause nice as Prof. Silver was, I could totally have beaten her out for it. She really didn't know much about internet fandom at all, but she gave me a great book--Constance Penley's NASA/TREK, which I highly recommend, despite the fact that it's old and thus deals mostly with 'zines--and even better, a lot of encouragement. In return, I gave her links to some classic fandom stuff--she'd never heard of the Very Secret Diaries! *gasp*--and, when pressed, some of my own stories. (Yikes!) When I come out, I come out hard--bringing the clothes, the hangers, and the dust bunnies with me.

So now--

The short version: I now have just over a weak to write a paper about Why We Slash. I think I can pull together the more academic, sociological sources, but for the rest, I need your help. I want this paper to be different from other writings about slash and fandom: I'm not going to distance myself; rather, I'm going to get permission to write in the first person and include myself in the analysis. I don't want to be yet another judgmental outsider looking in (or down) on "this phenomenon known as slash"; I'm a part of it, I'm not going to deny it, and that gives me a unique perspective.

But I need other people's perspectives--other people's insights--too. So, fellow fandom folks: if you could take the time to answer the following questions, I would be deeply appreciative.

1. What do you get out of a) fanfiction in general and/or genfic; b) romantic, 'shipper fic, regardless of the genders and sexualities of the participants; and c) slash fic, especially m/m slash?

2. How does what you derive from all of these things differ a) from each other; b) from the source material; and c) from real life?

3. If you're a writer as well as a reader, do you derive a different sort of experience from writing than from reading? How do the two compare? (If you're a vidder or artist, please feel free to talk about that, too.)

4. What were your primary reasons for entering fandom--specifically slash fandom? What are your reasons for staying?

5. Why do you think slash fandom and slash fiction are the phenomena that they are?


If you want to provide info about age, gender, sexual preference, when you entered fandom or how long you've been in it, it would be interesting and useful, but obviously, I don't want to make anyone feel uncomfortable. With that in mind, anyone who'd prefer to take this out of a public forum can also e-mail me at kaufmaa@tcd.ie . You can also comment anonymously, though I'd appreciate it if you could provide me with some sort of alias in case I choose to quote you.

With that in mind: unless you tell me otherwise, any quotes I pull will be attributed to your LJ username (minus the LJ distinction, of course.) So if I were quoting myself, I might say: "'I'm in it for the porn, baby!' said one writer, trinityofone. 'Porn, porn, porn--that's what the internet is for!'"* If you'd prefer to be quoted under a different name, just tell me what it is. But don't get too panicky: this paper will most likely be seen by no one other than Dr. Jones, Prof. McCarthy, Prof. Silver, and myself. And we're all very discreet. ;-)

Finally, PLEASE SPREAD THE WORD. Which is to say: the red light is on, I have multiple varieties of condoms (some are flavored!), but right now I'm all by my lonesome, so I need you to pimp, pimp, pimp. Also, if anyone knows of any communities where I might be able to rustle up some participants, that'd be fab.

So in conclusion: let me know if you have any questions, and thanks in advance!

*Actually, I read slash for the articles. 'The' is a good one; so's 'a.' ...And after that display of dorkery, we're all going to pretend this footnote doesn't exist.

(no subject)

Date: 2005-12-05 04:45 am (UTC)
From: [identity profile] jonathlee.livejournal.com
Hi, I'm a 21-year-old, gay male -- interestingly enough, not the typical slash audience. :) I could go on for ages about what I do and do not like about slash, but what I like is mostly reserved to what is well-written, rather than conforming to badslash stereotypes (and don't get me started on mpreg!), so let's just assume that I'm talking about the stuff that actually seems like it could be two (or more) people. ;) And ignore anything that includes self-lubricating anuses.

Oh, and if you could quote me as Tristan Cole, I'd greatly appreciate it. ;) It's one of my many pseudonyms...


1. What do you get out of a) fanfiction in general and/or genfic; b) romantic, 'shipper fic, regardless of the genders and sexualities of the participants; and c) slash fic, especially m/m slash?

a) Interestingly enough, unlike most people, I don't make much of a distinction between original writing and fanfiction. I mean, there are the obvious distinctions in terms of drawing on preexisting source, but beyond that... to have a really good story, you need to have consistent characterisation, believable plotting, etc.... just because the characterisation you're consistent with isn't something you started yourself doesn't make it any less valid, I think. Not that I think you were trying to say that, but some people do, and I think that what I get out of fanfiction is inseparable from what I get out of reading in general.

That said, what I do get out of is enjoyment, and escape. I can get out of my own headspace for a while, and get into someone else's. Regardless of how interesting my life is at times, there are occasions where I just want to be anywhere but here. Also, I've been reading voraciously since I was about three, so I like to think of it as a lifelong habit. There's no way I could give up reading, any more than I could give up breathing.

b) I like character development. Of all things in any kind of writing, viewing, whatever, character development is what will get me to stay. It's why I like, for example, Babylon 5: there's one character who shows up in only a handful of episodes, has maybe ten or twelves actual lines (okay, probably more, but not by much), and actually IS a character, enough to have an opinion of him. You see change in his beliefs, you see struggle... now, imagine that with the characters who show up in every episode. I like the same thing in fanfiction, and that extends to 'shipper fic. The best way to get me to like your story, no matter what ship you're writing, is to bring the characters together believably; while I like some ships more than others, het or slash, I'm not about to dismiss a story because it has something else. What's more important to me is how the author gets the two characters together. In the Harry Potter fandom, I've seen someone write believable Harry Potter/Sirius Black. This is not something that most authors could pull off -- but because you see the thought processes of the characters, because you see how they GET to that point, it works, and I like it.

c) For the most part, I don't differentiate slash ships from het ones, and I like it for many of the same reasons as I do all 'shipper fic. It does, also, provide even more opportunities for character development -- looking at, for example, having a character who previously identified as straight that he or she is gay. Also, as I was going through junior and senior high, slash gave me an outlet for my own homosexual feelings that, at the time, didn't really have any other outlets. It was a chance to go, "They are like me, and they are okay, so that means that I am okay."

And I will admit to liking being able to live vicariously through the characters and enjoy imagining what it would be like to be in a relationship with the hot characters. But who doesn't?


2. How does what you derive from all of these things differ a) from each other; b) from the source material; and c) from real life?

a) Beyond the personal identifications in terms of slash, there's really no difference in terms of what I derive. They all come down to enjoyment and escape, in varying degrees, to some world a little bit more exciting, a little bit more glamourous, a little bit more magical.

(no subject)

Date: 2005-12-05 04:46 am (UTC)
From: [identity profile] jonathlee.livejournal.com
(Damn length restrictions) And the rest:

b) Character development. Often, the source doesn't go anywhere near as far as I'd like. There have been fics I've read where the characters end up acting completely differently from how they are in the source, but because of the way it was written, it works, and it's believeable. You see development like that sometimes, over long series (look at Willow, from Buffy: the Vampire Slayer, or Nita Callahan, from Diane Duane's Young Wizards series; Willow's character grows a lot from beginning to end, and you can see the process of Nita growing up as she deals with comedy and tragedy in her life), but it's rare. While all good fiction gives me some kind of development, fanfiction, as you discussed in terms of serial killers and slash, gives me more.

c) Being primarily a reader of fantasy and science fiction, my reading gives me the magic that's lacking in my life; it's easy to believe that someone could fling around fireballs when you're reading about it happening. Also, I'm currently lacking romantic attachment in my life, so vicarious romance (and sex) is certainly fun.


3. If you're a writer as well as a reader, do you derive a different sort of experience from writing than from reading? How do the two compare? (If you're a vidder or artist, please feel free to talk about that, too.)

There is a difference, but I'm not sure I could clearly define it. In some ways, it's like... while in reading, I escape from myself, in writing, I explore myself. There's a bit of me in all the characters I write, original or otherwise. I can't write a character unless I can identify with them to some degree, or at least get into their own headspace and understand where they're coming from. Really, though, it all comes down to the characters -- seeing them develop, as I've said, is what I'm here for.


4. What were your primary reasons for entering fandom--specifically slash fandom? What are your reasons for staying?

I entered fandom kind of by accident; when I was in grade six, I stumbled across a Sailor Moon fanfiction site, and I haven't looked back since. In terms of slash, I guess I got involved in it because it's what I'm living (or what I want to be living, as the case may be). Like I said, it offers even more opportunities for character development than het romance (and I know I've been hammering my love of that like a carpenter). Why do I stay? Because, as much as fandom has its crazies (and BOY does it have its crazies), the people here? Coollikewhoa.


5. Why do you think slash fandom and slash fiction are the phenomena that they are?

Because straight women like looking at/thinking about gay men. I have no illusions that we gay men are a rarity in the fandom (which I still can't figure out; a lot of gay men complain about the inaccurate representations of gay men in slash -- so why don't they start writing more of it themselves?). Also, supposedly, women are more titillated by reading than by seeing, the opposite of men, so they'd be more inclined to write fiction about boykisses, whereas men are more inclined to film their fake lesbians.

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